William Moore's profile

William Moore Art Portfolio

Charcoal drawing - interpretation and of Bomberg’s work connected to the city
Mark Bradford’s work during from an exhibition that I visited in London 2019  Exhibition ‘Cerburus’ 
Photograph taken in London following the Bradford exhibition, I liked the textures and distressed quality, combined with the structures of the buildings.
city buildings around London '300cm x 90cm'
A2 Sketchbook work combining people and cities, inspired by some of Eduardo Poalozzi 
A2 Sketchbook -Experiments with the head and city, exploring the grid, infrastructures and man's relationship to cities
A2 Sketchbook -Etchings exploring the grid, infrastructures and man's relationship to cities
A2 sketchbook Contact sheets of all the photographs taken to gather visual research, cities, museums, galleries
Photographs of the ceiling at the Tate Modern, looking at structures, grids, and buildings
Photographs of the ceiling at the Tate Modern, looking at structures, grids, and buildings
Classical sculpture from the Parthenon ( Elgin marbles ) British museum - connecting classical civilisation, sculpture, grids and the city
A2 sketchbook pages Experiments with positive and negative images of classical sculptures. Looking at form, shape, repetition 
A2 sketchbook pages Experiments with positive and negative images of classical sculptures. Looking at form, shape, repetition
A2 sketchbook pages, developing ideas for sculpture in response to the city as a grid concept. Combining collage, drawing and photography 
A2 sketchbook pages, developing ideas for sculpture in response to the city as a grid concept. Combining collage, drawing and photography 
A2 sketchbook pages, developing ideas for sculpture in response to the city as a grid concept. Combining collage, drawing and photography
A2 sketchbook pages, developing ideas for sculpture in response to the city as a grid concept. Combining collage, drawing and photography
My final piece shows the integration between the human body and the city by creating buildings that match the mood of the head
The final piece head sculpted with clay, Plaster of Paris head, Alginate casting of hand
My Hands  Alginate cast in plaster of paris of intertwined fingers '14cm x 18cm'
responding to the figure, drawing exercises
tools made out of natural materials which was used as a tool to draw the ink and bleach
tying leaves together in colour order descending in shades which was used as a brush to paint with
Ink used to create a base pattern and bleach drawn on top to react with it, and create a strong orange colour, Inspired by Basquiat writing words onto the ink
William Moore Art Portfolio
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William Moore Art Portfolio

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