SPOT AND LINE
These little complete stories just can’t cross the sheet edges. Each off them is a stand-alone, created by a single compositional law of harmony in space. Branches are meant to tilt with whimsical curving to become a line or a spot. "Large, Medium, Small."- central tenet of my works. Background drop, deliberate rhythmic, incompleteness for the sake of the style. Tree for a tree, stone for a stone. So why shouldn't that branch bent for this white sheet and bring balance in the composition. Meanwhile, a nostalgic attitude towards nature breaks through these theatrical performances of order and the leitmotif of all of works is a graceful tree.
