When the director of Long Live Asap saw the footage, it felt unbalanced. The fact that only one of the girls in the shot had a hair bun, caused the symmetry to break. With a tight dead line and no ability to reshoot, I was brought in on the project. 

Using Nuke I was able to create a hair bun and add it in in post. Tracking the element in and making it as seamless as the rest of the footage.