Painting one beautifully bright day in the mountains, my intention was to open my heart and listen to whatever the mountain was telling me: there was a sense of the sacred about this place, as in Yulara (Ayer's Rock), or Big Sur, in California. It seemed to reflect the spirituality that I had experienced in Medina and Mecca while on Hajj. And in a flash the message came...These paintings return to that moment, which was a kind of opening, and draw from that well. Bloomin' hippy, I ask you!! But true none the less.

This group has a particular relation to a question I often ask myself - is there a place for abscence of ego in contemporary art? How can self-effacement be reconciled with the creation of 'objects' that have a presence in the world? 

The work is in progress...
Abscence
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Abscence

What the Mountain Said is an ongoing series of curved paintings, still in their development, they will be mounted on modroc.

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