In The Studio with Olivia Knapp
Pick three things that are most valuable to you in your studio and explain to us why you have chosen those and what story there is behind them.
Strathmore Bristol Plate 500 series stocked in my flat files is a must. This is a super smooth cotton paper coated with a thin layer of clay. I spent years experimenting with varieties of paper and this is the highest quality that facilitates the cleanest lines.
The other two things I value most are features of my studio rather than the things in it, my high ceilings for example. I am convinced that they provide space for creativity. When I don’t feel like I am in a box it’s easier for me to think outside of the box; the higher the ceilings the better. My large windows are another feature that is really important to me. The natural light provides the best visibility in which to view my work and it supports my circadian rhythm.
Tell us a little about the process of your work.
I like solitude when I brainstorm. I prefer to sit with my ideas for a while. Once I land on a clear vision for a drawing, I’ll start with a pencil sketch. Most of the times I’ll sketch on cheap computer paper then trace it onto a clean sheet of Strathmore Bristol Plate for the final ink drawing. I use 1-3 reference photos per thing I draw. I take most of my own photos. I try not to erase on the Bristol before or during inking, as it can lift the coat of clay off the cotton. When this happens the ink bleeds, making a fuzzy line.
My drawings are completely hand drawn and take anywhere between 10-300 hours.
You predominantly work in black and white, have you tried experimenting with colour and other working methods?
I love color! But I love the timeless quality of black and white even more. Color palettes are transient. They’re heavily influenced by trends and strongly impose a mood on the viewer. Black and white tends to be objective.
I am really excited about experimenting with new mediums and applications for my work; like paint, video, found material etc.
You are based in Seattle - in terms of influencing your work, what would you say is the most inspiring aspect of the city?
The scenic views. I live and work in a loft overlooking the Puget Sound in downtown. Sometimes I’ll take breaks by sitting in a chair sipping tea or coffee and starring out the window; letting my mind wander. Even though I’ve been in this space for years, I never take the views for granted. It inspires me when I am in a rut, relaxes me when I am stressed, and overall gives be a great sense of wellbeing.
