Served as the second part of a theatrical trilogy, the vision is about embracing the positivity behind uncertainty in a form of Arjuna Epic gamelan concert. Set in the time of Arjuna Wiwaha where Arjuna was overwhelmed with great sorrow until he meditated and finally could embraced his gloom and gained his confidence back in a form of the mighty Pasopati bow, the producer wanted to convey the message into the poster that will be spread to the audiences.

Triptych design was chosen as the best way possible tell the audiences about the message. Each part of triptych told a specific message: A sorrow beginning, the process, and the great confidence at the end symbolised in colour with minimal yet impactful design element.
The first poster tells the gloom, symbolised by black colour and Pasopati bow as the symbol of hope amidst all the sorrows and the end purpose of Arjuna's meditation.
The second poster tells the story when Arjuna has embraced his gloom and was given the Pasopati bow by Batara Guru. Beige colour was chosen as the colour of transition to white instead of grey as to emphasise the calmness of mind after meditation.
The last part of triptych tells the story when Arjuna used the Pasopati bow in Bhatarayuddha war. The white colour tells the audience that the gloom has finally gone, and the great confidence, the calmful mind and the positivity was all that left after the process.
Merangkul Lara
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Merangkul Lara

Triptych poster designed with as minimal element as possible to convey the whole message of the Arjuna Wiwaha epic for modern gamelan concert to Read More

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